The Voyeur

  The Voyeur

  WORKS BY ALAIN ROBBE-GRILLET

  PUBLISHED BY GROVE PRESS

  The Erasers

  The Voyeur

  La Maison de Rendez-vous & Djinn

  Two Novels: Jealousy & In the Labyrinth

  Recollections of the Golden Triangle

  Alain Robbe-Grillet

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  * * *

  The Voyeur

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  Translated from the French by

  RICHARD HOWARD

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  GROVE PRESS

  New York

  Copyright © 1958 by Grove Press, Inc.

  Copyright renewed 1986 by Grove Press. Inc.

  All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without permission in writing from the publisher, except by a reviewer, who may quote brief passages in a review. Scanning, uploading, and electronic distribution of this book or the facilitation of such without the permission of the publisher is prohibited. Please purchase only authorized electronic editions, and do not participate in or encourage electronic piracy of copyrighted materials. Your support of the author's rights is appreciated. Any member of educational institutions wishing to photocopy part or all of the work for classroom use, or anthology, should send inquiries to Grove/Atlantic, Inc., 154 West 14th Street, New York, NY 10011 or permissions@groveatlantic.com.

  Published simultaneously in Canada

  Printed in the United States of America

  Library of Congress Catalog Card Number 58-9912

  ISBN-10: 0-8021-3165-4

  ISBN-13: 978-0-8021-3165-2

  eISBN: 978-0-8021-9056-7

  Cover design by Wendy Halitzer

  Cover photograph by Chaz

  Grove Press

  an imprint of Grove/Atlantic, Inc.

  154 West 14th Street

  New York, NY 10011

  Distributed by Publishers Group West

  www.groveatlantic.com

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  I

  It was as if no one had heard.

  The whistle blew again—a shrill, prolonged noise followed by three short blasts of ear-splitting violence: a violence without purpose that remained without effect. There was no more reaction—no further exclamation—than there had been at first; not one feature of one face had even trembled.

  A motionless and parallel series of strained, almost anxious stares crossed—tried to cross—struggled against the narrowing space that still separated them from their goal. Every head was raised, one next to the other, in an identical attitude. A last puff of heavy, noiseless steam formed a great plume in the air above them, and vanished as soon as it had appeared.

  Slightly to one side, behind the area in which the steam had just appeared, one passenger stood apart from the expectant group. The whistle had had no more effect on his withdrawal than on the passionate attention of his neighbors. Standing like them, his body and limbs rigid, he kept his eyes on the deck.

  He had often heard the story before. When he was still a child—perhaps twenty-five or thirty years ago—he had had a big cardboard box, an old shoebox, in which he collected pieces of string. Not any string, not scraps of inferior quality, worn, frayed bits that had been spoiled by overuse, not pieces too short to be good for anything.

  This one would have been just right. It was a thin hemp cord in perfect condition, carefully rolled into a figure eight, with a few extra turns wound around the middle. It must be pretty long—a yard at least, perhaps two. Someone had probably dropped it by mistake after having rolled it up for future use—or else for a collection.

  Mathias bent down to retrieve it. As he straightened up again he noticed, a few feet to the right, a little girl of seven or eight gravely staring at him, her eyes enormous and calm. He smiled hesitantly, but she did not bother to smile back, and it was only after several seconds that he saw her eyes shift toward the wad of string he was holding at the level of his chest. He was not disappointed by a closer look: it was a real find—not too shiny, firmly and regularly twisted, and evidently very strong.

  For a moment he thought he recognized it, as if it were something he had lost long ago. A similar cord once must have occupied an important place in his thoughts. Would it be with the others in the shoebox? His memory immediately edged away toward the indefinite light of a rainy landscape, in which a piece of string played no perceptible part.

  He had only to put it in his pocket. But no sooner had he begun the gesture than he stopped, his arm half-bent, undecided, gazing at his hand. He saw that his nails were too long, which he already knew. He also noticed that in growing their shape had become exaggeratedly pointed; naturally he did not file them to look like that.

  The child was still staring in his direction, but it was difficult to be sure she was looking at him and not at something behind him, or even at nothing at all; her eyes seemed almost too wide to be able to focus on a single object, unless it was one of enormous size. She must have been looking at the sea.

  Mathias let his arm fall to his side. Suddenly the engines stopped. The vibration ceased at once, as well as the continuous rumbling sound that had accompanied the ship since its departure. All the passengers remained silent, motionless, pressed close together at the entrance to the already crowded corridor through which they would eventually leave the ship. Most of them, ready for the disembarkation for some time, held their luggage in their hands, and all were facing left, their eyes fixed on the top of the pier where about twenty people were standing in a compact group, equally silent and rigid, looking for a familiar face in the crowd on the little steamer. In each group the expressions were identical: strained, almost anxious, strangely petrified and uniform.

  The ship moved ahead under its own momentum, and the only sound that could be heard was the rustling of water as it slid past the hull. A gray gull, flying from astern at a speed only slightly greater than that of the ship, passed slowly on the port side in front of the pier, gliding at the level of the bridge without the slightest movement of its wings, its head cocked, one eye fixed on the water below—one round, indifferent, inexpressive eye.

  There was the sound of an electric bell. The engines started up again. The ship began to make a turn that brought it gradually closer to the pier. The coast rapidly extended along the other side: the squat lighthouse striped black and white, the half-ruined fort, the sluice gates of the tidal basin, the row of houses on the quay.

  “She's on time today,” said a voice. “Almost,” someone corrected—perhaps it was the same voice.

  Mathias looked at his watch. The crossing had lasted exactly three hours. The electric bell rang again; then once more, a few seconds later. A gray gull resembling the first one passed by in the same direction, following the same horizontal trajectory in the same deliberate way—wings motionless, head cocked, beak pointing downward, one eye fixed.

  The ship didn't seem to be moving in any direction at all. But the noise of violently churning water could be heard astern. The pier, now quite close, towered several yards above the deck. The tide must have been out. The landing slip from which the ship would be boarded revealed the smoother surface of its lower section, darkened by the water and half-covered with greenish moss. On closer inspection, the stone rim drew almost imperceptibly closer.

  The stone rim—an oblique, sharp edge formed by two intersecting perpendicular planes: the vertical embankment perpendicular to the quay and the ramp leading to the top of the pier—was continued along its upper side at the top of the pier by a horizontal line extending straight toward the quay.

  The pier, which seemed longer than it actually
was as an effect of perspective, extended from both sides of this base line in a cluster of parallels describing, with a precision accentuated even more sharply by the morning light, a series of elongated planes alternately horizontal and vertical: the crest of the massive parapet that protected the tidal basin from the open sea, the inner wall of the parapet, the jetty along the top of the pier, and the vertical embankment that plunged straight into the water of the harbor. The two vertical surfaces were in shadow, the other two brilliantly lit by the sun—the whole breadth of the parapet and all of the jetty save for one dark narrow strip: the shadow cast by the parapet. Theoretically, the reversed image of the entire group could be seen reflected in the harbor water, and, on the surface, still within the same play of parallels, the shadow cast by the vertical embankment extending straight toward the quay.

  At the end of the jetty the structure grew more elaborate; the pier divided into two parts: on the parapet side, a narrow passageway leading to a beacon light, and on the left the landing slip sloping down into the water. It was this latter inclined rectangle, seen obliquely, that attracted notice; slashed diagonally by the shadow of the embankment it skirted, it showed up as one dark triangle and one bright. All other surfaces were blurred. The water in the harbor was not calm enough for the reflection of the pier to be distinguished. Similarly the shadow of the pier appeared only as a vague strip constantly broken by surface undulations. The shadow of the parapet on the jetty tended to blend into the vertical surface which cast it. Jetty and parapet alike were still encumbered with drying fish, empty crates, large wicker baskets—crayfish and lobster traps, oyster hampers, crab snares. The crowd gathered for the ship's arrival circulated with some difficulty among the various piles of objects.

  The ship itself floated so low on the ebb tide that it became impossible to see anything from its deck save the vertical embankment extending straight toward the quay and interrupted at its other end, just in front of the beacon, by the oblique landing slip—its lower section smoother, darkened by the water, and half-covered with greenish moss—still the same distance from the deck, as if all movement were at an end.

  Nevertheless, on closer inspection the stone rim drew almost imperceptibly nearer.

  The morning sun, slightly overcast as usual, indicated shadows faintly, yet sufficiently to divide the slope into two symmetrical parts, one darker, one brighter, slanting a sharp point of light toward the bottom where the water rose along the slope, lapping between the strands of seaweed.

  The movement bringing the little steamer nearer the triangle of stone that thus emerged from the darkness was itself an oblique one, and so deliberate as to be constantly approaching absolute immobility.

  Measured and even, despite slight variations of amplitude and rhythm perceptible to the eye but scarcely exceeding six inches and two or three seconds, the sea rose and fell in the sheltered angle formed by the landing slip. On the lower section of this inclined plane the water alternately revealed and submerged great clumps of green seaweed. From time to time, at what were doubtless regular intervals—though probably of a more complex frequency—a powerful wash of water broke this rocking rhythm and the two masses of liquid, rushing against each other, collided with a slapping sound and spattered some drops of foam a little higher up against the embankment.

  The ship's side—now parallel to the embankment—continued to advance; the channel between must have narrowed little by little as that movement extended the length of the pier. Mathias tried to find a point of reference. In the angle of the landing slip the water rose and fell against the brown stone embankment. This far out from shore none of the wreckage covering most harbor floors was visible from the surface. The seaweed that grew at the bottom of the landing slip, rising and falling again and again with the wash of water, was as fresh and glossy as the kind found only at great depths; it was never exposed to the air for very long at a time. As each little wave rolled in, it lifted the free ends of the clumps of seaweed, drew them down immediately afterward, and finally abandoned them once again, limp and outstretched on the streaming stones, trailing masses of tangled ribbon down the slope. From time to time a more powerful wash of water flooded the landing slip a little higher, leaving, as it flowed back, a shiny puddle in a hollow of the pavement that reflected the sky for a few seconds before it quickly disappeared between the stones.

  Mathias decided on a mark shaped like a figure eight, cut clearly enough in the steep, recessed embankment to make a good point of reference. The mark was exactly opposite him, that is, ten or fifteen feet to the left of the point where the landing slip emerged from the pier. A sudden rise in the water level caused it to disappear. When, after forcing himself to keep his eyes in the same place for several seconds, he saw it again, he was not quite sure he was looking at the same mark—other irregularities in the stone looked just as much like—or unlike—the two little coupled circles whose shape he still remembered.

  Something fell, thrown from the top of the pier, landing on the surface of the water—a piece of paper the color of a pack of cigarettes. The water rose in the sheltered angle of the landing slip, colliding with the backwash from its sloping surface. The periodic shock of this collision occurred just where the ball of blue paper was floating, and it was engulfed with a slapping sound; some drops of foam were spattered against the embankment, just as a more powerful wash of water again submerged the strands of seaweed and reached as far as the hollow in the pavement.

  The water fell back at once; the limp seaweed remained outstretched on the wet rocks, trailing long strands down the slope. In the bright triangle, the little puddle reflected the sky.

  Before it had time to disappear between the stones, this reflection was suddenly darkened, as if by the shadow of some great bird. Mathias raised his eyes. Flying from astern, the gray gull imperturbably described again, with the same deliberation, its horizontal trajectory—wings motionless and outspread in a double arc between the slightly drooping tips, head cocked to the right, one round eye fixed on the water—or the ship—or nothing at all.

  According to their respective positions, it could not have been this gull's shadow that had just passed over the little puddle.

  In the bright triangle the hollow of the pavement was dry. At the lower edge of the landing slip a rising wash of water had turned the seaweed so that it spread upward. Ten or fifteen feet to the left Mathias noticed the mark in the shape of a figure eight.

  It was an eight on its side: two coupled circles of the same size, a little less than six inches in diameter. At the point of tangency appeared a reddish excrescence that looked like the rust-corroded pivot of an old iron ring. The circles on either side might have been worn gradually into the stone by a ring fastened vertically into the embankment by the pivot and swinging freely to the right or left in the wash of the ebb tide. Such a ring had doubtless been used for mooring boats at the pier ahead of the landing slip.

  But the ring had been set so low in the embankment that it must have been underwater most of the time—sometimes several yards beneath the surface. Furthermore, its modest size scarcely seemed adequate to the thickness of the ropes ordinarily used for mooring even the smallest fishing boats. The only rope that could have passed through such a ring would have to be a thin, strong cord. Mathias turned his eyes ninety degrees toward the crowd of passengers, then lowered them to the deck. He had often heard the story before. It was on a rainy day; he had been left alone in the house; instead of doing the next days arithmetic homework he had spent all afternoon sitting at the back window, drawing a sea gull that had perched on one of the fence posts at the end of the garden.

  It had been a rainy day—to all appearances a rainy day like the rest. He was sitting at the table wedged into the window recess, facing the window, two big books under the chair so he could work comfortably. The room must have been very dark; the table top reflected only enough light from outside to make the waxed oak gleam—very faintly. The notebook's white paper constituted the only
bright thing in the room, along with the child's face, and perhaps his hands as well. He was sitting on a chair on top of two dictionaries—had been there for hours, probably. He had almost finished his drawing.

  The room was very dark. Outside it was raining. The big gull remained motionless on its perch. He had not seen it land there. He did not know how long it had been where it was. Usually they did not come so near the house, not even in the worst weather, although between the garden and the sea there was no more than three hundred yards of open ground rolling toward an indentation in the coast, bounded on the left by the beginning of the cliff. The garden here was nothing but a piece of moorland planted with potatoes every year and fenced off with barbed-wire fastened to wooden posts to keep out the sheep. The unwieldy size of these posts indicated that originally they had not been intended for such use. The fence post at the end of the central path was even thicker than the rest, in spite of the slenderness of the lattice-gate it supported; it was a cylindrical post, a pine log roughly trimmed, and its almost flat top, a yard and a half above the ground, formed an ideal perch for the gull. The bird's head was turned toward the fence, in profile, one eye looking at the sea, the other at the house.

  Between the fence and the house the garden, at this time of year, consisted of little more than a few late weeds piercing the carpet of dead vegetation that had been rotting in the rain for several days.

  The weather was very calm, without a breath of wind. The continuous light rain may have blurred the horizon, but did not obstruct the view for shorter distances. On the contrary, it was as if in this new-washed air the objects near at hand profited from an additional luster—especially when they were light-colored to begin with, like the gull. He had copied not only the contours of its body, the folded gray wing, the single foot (which completely concealed the other one), and the white head with its round eye, but also the wavy line dividing the two parts of its curved, pointed bill, the pattern of the feathers on its tail and along the edges of its wing, and even the overlapping scales down the length of its leg.